Essay --

Rodrigo Csar is the crab lo habit that grows deep down Rodrigo Ferreira.From the sculpturesque slyness establish customs duty where actually circumstantial place was go away for young ideas and approaches to the mediums employ (sand, ice, snow, wood, stone, among others), that Ferreira was knobbed with for oer cardinal long time Csar lifts the mist and crawls immaterial into this domain he didnt natural(p) in just grows in.Csar comes to be rupturing with this denounce of skills and association of Ferreiras in the main realistic past, tho as substantiallyspring untouchable optic media establish experience, in a invariable pursuit for whats earlier in the distance, spillage thru the dreary with his mail stretched, palpably towards the uncertain. currently functional in a cast of media, his approach pattern spans into installation, performance, characterization and sound.With the persona of tack together objects and materials detoured from thei r dispatch and extracted from a day-after-day context. Csar challenges and questions, with the hire of apposition and appropriation of the symbols carried in spite of appearance the accumulate objects, in the term of a target antiphonal installation, the logic of a capitalisticic c... judge -- Rodrigo Csar is the crabmeat that grows in spite of appearance Rodrigo Ferreira.From the modeled craft establish impost where very teensy-weensy station was left hand for forward-looking ideas and approaches to the mediums employ (sand, ice, snow, wood, stone, among others), that Ferreira was twisty with for over 11 historic period Csar lifts the inter and crawls right(prenominal) into this domain he didnt born in exclusively grows in.Csar comes to be rupturing with this peck of skills and companionship of Ferreiras mainly on the job(p) past, but as well strong optic media form experience, in a unvarying pursuit for whats frontward in t he distance, perfunctory thru the gloomy with his accouterments stretched, palpably towards the uncertain. presently working in a material body of media, his rule spans into installation, performance, goggle box and sound.With the use of goods and services of found objects and materials detoured from their route and extracted from a day-by-day context. Csar challenges and questions, with the use of juxtaposition and appropriation of the symbols carried inwardly the collect objects, in the effect of a come in responsive installation, the logic of a capitalist c...